Starting from a public art installation, also termed as dynamic urban furniture, within which interact both a physical and a digital space, it is proposed to put to test the interactivity of an invisible interface that rends unnecessary the use of pre-established signs for its functioning, bringing different social groups, who are not technology-wise, closer to non-linear forms of audiovisual creation.
As a result of this relationship, this installation allows users to contact with new ways of expression, inducing them to participate in a process of generative design, where it becomes possible to create new kinds of tools for the manipulation of digital means, live, and in real time.